Hello. My name is Dana, 24, from the Philippines.

I make Sherlock Comics.

Personal blog. Occasionally NSFW. Not spoiler-free.

Johnlock is my OTP, but I sail other ships as well (Destiel, Moreid, Sterek, Rizzles, Marvey, etc.).

Answered asks can be found here and the tags here.

My icon is made by the lovely Holli.

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The Really High John to my Overly Attached Sherlock

The Moffat to my Gatiss

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sherlockisthebest:

x

spn + favourite sam and dean scenes
└ 8.14 Trial and Error

mariah-banks:

im still in between kinda accepting my body and wanting to starve myself for weeks i dont know 

londonphile:

The utterly charming Benedict Cumberbatch arrives at the #GQAwards head to tow in Savile Row’s Spencer Hart x

problackgirl:

we’ve taught girls to romanticise nearly everything a boy does. when i was younger i thought it was cute that boys chased the girl even after she said no. i loved it when after a girl moved away from a kiss, the guy would pull her back and force it on. i thought a guy saying ‘i won’t take a no for an answer’ was passionate and romantic. we’re literally always teaching girls to romanticise abusive traits.

teatective:

What a perfectly ridiculous and amazing man. 

dramatisecho:

installation // duo

blairtrabbit:

keto-enol:

what did i even do today

I have never seen a drawing I identify with more in my entire life.

blairtrabbit:

keto-enol:

what did i even do today

I have never seen a drawing I identify with more in my entire life.

johnlocked-kurtofsky-potterhead:

fuckyeahfightlock:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

literally

every

single

villain

and antagonist


HOW DID I MISS THIS WHEN I WAS WATCHING IT THE FIRST TIME?!

Also this fucker

who we are led to believe is a villain until the very end of the episode

johnlocked-kurtofsky-potterhead:

fuckyeahfightlock:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

literally

every

single

villain

and antagonist

HOW DID I MISS THIS WHEN I WAS WATCHING IT THE FIRST TIME?!

Also this fucker

who we are led to believe is a villain until the very end of the episode

wolfcharm:


art for wonderful lingerie-lost-in-obsession

 ”Sherlock and John (as a couple if possible) sitting on the front show of a fashion show? with John a suit bought by Sherlock and Sherlock maybe fanning himself with the programme and john maybe looking through their gift bags…. I always think that because of Sherlock’s style and fame, designers keep inviting him to shows and he goes to London Collection: mens with John “
thank you!

wolfcharm:

art for wonderful lingerie-lost-in-obsession

 ”Sherlock and John (as a couple if possible) sitting on the front show of a fashion show? with John a suit bought by Sherlock and Sherlock maybe fanning himself with the programme and john maybe looking through their gift bags…. I always think that because of Sherlock’s style and fame, designers keep inviting him to shows and he goes to London Collection: mens with John “

thank you!

AT